Showing posts with label trolls. Show all posts
Showing posts with label trolls. Show all posts

Wednesday, 8 October 2014

You say tomato, and I say tomato

I like to see things in black and white. For there to be a right and a wrong answer to every question.

How frustrating, then, to find that so many issues in the news dissolve into more than 50 shades of grey.

These reflections were prompted by listening to Radio 4 on Monday morning, experiencing mounting irritation as some pundit droned on about internet trolls.

Only he insisted on pronouncing the word to rhyme with “dole” instead of “doll”.

Imagine how deflated I felt when I looked it up in search of vindication and found that either pronunciation is considered correct.


I shall have to confine myself to being annoyed with those who continue to mispronounce my surname, and the name of the village where I live, even after I have politely put them right.

So let us move on from pronunciation to consider the issue of trolling in general. Clearly writing disobliging things about other people is not a nice or kind thing to do, whether one does it on the internet or by painting abusive graffiti on their walls.

It is made even less appealing when judgements are passed on named individuals by those not in full possession of the facts, who almost always hide within the comfortable shadow of a pseudonym.

On the other hand (for this is not a black and white issue), how offended can anyone reasonably be by comments about them on Twitter, particularly if they do not actually use Twitter?

How far must freedom of speech be constrained to protect the right not to be offended of people who reflexively take umbrage on behalf of others?


Often on Twitter I read amongst the tsunami of outrage about some controversial post or other, a still small voice saying (in 140 characters or fewer) “actually I am gay / black / disabled / dyslexic / a war veteran / whatever and I thought that was quite a good joke”.

A recent TV documentary on motorways belatedly introduced me to the fact that there is officially no longer any such thing as a “road traffic accident”. We now have “road traffic collisions” because nothing happens by accident: “someone is always to blame”.

If your car crosses the central reservation because of a blow-out it’s your own fault for not checking the tyres or driving too fast; or the fault of the garage who fitted the tyre, or the company who manufactured it; or the farmer whose hedge clipping damaged it; or the Highways Agency for not filling the pothole you clipped.

At its most extreme this thinking ends up with people scouring a runway for the strip of metal that punctured the tyre of the Concorde that crashed in Paris, and taking to court the airline from whose plane it fell.


The blame culture also gives free rein to those who become fixated with the belief that the victims of well-publicised tragedies are the authors of their own misfortune.

I don’t suppose that parents who have lost a child need reminding that things might have turned out differently if they had not left their offspring unattended.

Any more than it is helpful to point out that those placing themselves at risk in war zones, whether as reporters or humanitarians, took a free choice to do so (and if they grievously underestimated the danger they would be in, that too was their own fault).

Islamic State like to see themselves as master propagandists, making full use of social media to attract the gullible to their cause. Small wonder that trolling is officially part of the US State Department’s fight back.

Let us hope that it proves more effective than air strikes in undermining morale.

We can surely all agree that death is a disproportionate response to trolling, whether for the victim or the perpetrator, in a world where even the most heinous war crimes will escape capital punishment.

But ultimately on the greyly murky issue of trolling I find I can get no further than two black and white yet wise sayings of my parents: “Sticks and stones may break my bones, but words will never hurt me.”

And “If you can’t take it, don’t dish it out.”


Originally published in The Journal, Newcastle upon Tyne.

Tuesday, 30 October 2012

The North East on TV: full colour yet still black and white

When I was a boy television was a tiny box offering two channels in fuzzy black and white for just a few hours each day.


You couldn’t even hope to watch it for a whole evening without fiddling around with the horizontal hold and worrying about the distinctive smell of valves overheating.

Now we have 24-hour, multichannel, high definition, full colour, surround-sound, widescreen broadcasting and the only thing still stuck in black and white is the opinions of the viewers.

I say this after puzzling over the very polarised reactions to the new BBC2 sitcom Hebburn, which strikes me (and, importantly, my non-Geordie wife) as one of the funniest things we have seen on the telly in years.

Hebburn's Big Keith. No relation, so far as I know.

Yes, it is a gross caricature delivering knockabout music hall one-liners, not a sophisticated, intellectual comedy. I might also think that it had failed to do my hometown full justice if I actually lived in Hebburn. The overall effect is a bit like Shameless starring a reincarnated Tommy Cooper.

Yet it is warm, affectionate and I find it very amusing. Indeed the only weak link to my mind is Gina McKee playing, as she always does, Gina McKee. But then that’s just my personal blind spot about a regional if not yet national treasure.

The Hebburn family of cliched but, to my mind, amusing stereotypes

What seems strange to me is that all the comments I have seen on the series are either wildly enthusiastic or totally condemnatory. There is no middle ground. This is true, oddly enough, even on the Hebburn Facebook page, where a minority apparently “like” the show just to provide a platform for sounding off about how hopeless the scripts and actors are, and attacking the inauthenticity of the accents and locations.

I might as well have thrown a strop about the episode of Vera that was partly filmed at Tod-le-Moor, just around the corner from where I live, yet dared to give the impression that this was a stone’s throw from the seaside.

Calm down, dears, it’s only television. A certain suspension of disbelief is required.

TV's Vera. Not at Tod-le-Moor.

I found exactly this same polarisation last week when doing some background research on a restaurant chain for which I supposedly work. Nearly all the reviews on those traveller guide websites are either five star, praising flawless food, locations, décor and service; or one star, suggesting that the self-same restaurant offers one of the worst experiences on the planet.

Years ago I noticed just this dichotomy in reviews of a hotel owned by someone I know. He let me into the secret. All the five star plaudits were written by his staff and friends, while all the damning reviews were planted by rival establishments in the area.

This, of course, renders such websites completely useless for the genuine seeker after truth, hoping to get an unbiased idea of whether a particular hotel or restaurant is worth booking.

How did everything end up so black and white? Partly it can be explained by the invisibility cloak of anonymity. Almost no one posts on review sites under their real names, so there can be no comeback however outrageously they express themselves.

Most people on social media sites do reveal their identities, but something encourages them to be far franker and ruder tapping away on their phones or tablets than they ever would be if they were speaking in public.

Is all this ultimately filtering down from our cherished but frankly increasingly wearing tradition of knockabout adversarial politics, now reduced to the chanting of learnt-by-rote dumbed-down catchphrases about the uselessness of the opposition?

In principle, I would love to see a more nuanced approach setting out the pros and cons and arriving at a balanced conclusion. Because the right answer is rarely black or white, but a shade of grey – and I am sure we all know how many of those there are around these days.

50 shades: what's all the fuss about?

Though in the case of Hebburn, I am happy to put my real name to saying it has cheered me up as much as anything on TV since the demise of Tony Hancock. Come on, trolls: do your worst.


Originally published in The Journal, Newcastle upon Tyne.