Showing posts with label The X Factor. Show all posts
Showing posts with label The X Factor. Show all posts

Tuesday, 21 December 2010

Geordies lead the world in judging

Say what you like about the North East, we certainly know our stuff when it comes to the business of judging.

From the late Lord Chief Justice Taylor in the High Court to the nation’s sweetheart Cheryl Cole on The X Factor, Geordies have repeatedly proved their ability to weigh the evidence and come to the right conclusion. Or a conclusion, at any rate, in the case of the TV talent show.

Nor is this by any means a new phenomenon. The two Royal Grammar School educated Scott brothers, sons of a Newcastle coal merchant, both became distinguished judges, and were raised to the peerage in the nineteenth century as Lords Stowell and Eldon – the latter becoming famous as one of England’s longest-serving and most reactionary Lord Chancellors.

The great Eldon. Worth it? How dare you, sir?

Let us pause to wonder just how long it will be before Cheryl has a street full of ethnic eateries or a shopping centre named after her.

Peter Cook’s famous sketch in which he lamented that he had to become a coal miner rather than a judge because he “never had the Latin for the judging” has clearly been overtaken by events. Which is handy given both the limited opportunities for mining in today’s North East and Cook’s astute observation that “I would much prefer to be a judge than a coal miner because of the absence of falling coal.”

There were certainly no witty classical allusions in the quotes attributed last week to the latest addition to the pantheon of Northumbrian judicial greatness, Judge Beatrice Bolton of Rothbury, after her conviction at Carlisle Magistrates’ Court for failing to control her dangerous dog.

Judge Beatrice. Worth it? F*** off!

In fact, she used precisely the words that so often spring to mind when her more senior colleagues make pronouncements involving “human rights”, for example when they conclude that it is not possible to deport someone who has, say, knifed a headmaster to death or snuffed out a 12-year-old girl’s life in a hit-and-run incident.

Yes, it is highly amusing to hear a dispenser of justice reacting so badly when she experiences the rough end of it herself. Almost as perfectly ironic, in fact, as reading Julian Assange’s squeals of protest at the leaks about the nature of the sex crimes alleged against him in Sweden.

A saying popular with my parents sprang to mind: “If you can’t take it, don’t dish it out.”

But it would be sad, I feel, for such an admirably plain speaker to be deprived of her position because of one inappropriate outburst. After all, some of our greatest judges have made grave mistakes and been gone on to redeem themselves. Just think of Wor Cheryl’s drunken fracas with that Guildford lavatory attendant, for a start.

Wor Cheryl. Woath it? Coase Ah am, pet.

While Lord Eldon hardly got his career off to the most promising or conventional of starts by eloping from Sandhill with the banker’s daughter Bessie Surtees.

If, God forbid, I ever find myself standing in the dock before one of Her Majesty’s justices or Simon Cowell’s talent scouts, I would be happy to think that I was appearing before a fallible human being like myself, who would see the funny side when I reacted with an outburst of choice language on being sent down or kicked off the show in favour of someone even less talented than myself.

Yes, I really believe that such people do exist, but then I believed in Santa Claus until I was eight.

In fact, I would not mind having a go at training for a crack at this judging lark myself, but for the fact that the Government has just decided to close down all our local magistrates’ courts. Given my minimal knowledge of leeks, dogs, dressed sticks and singing, and with beauty contests ruled out on the grounds of political correctness, I wonder where I should start?
 Originally published in The Journal, Newcastle upon Tyne.

Tuesday, 14 December 2010

Singing the praises of the musical

I first realised that Simon Cowell had achieved world domination when I invited two cultured friends to an opera and they replied “We can’t possibly go out that night – it’s the start of The X-Factor!”

Even more amazingly, the opera concerned was one of those summer country house affairs, which means that Mr Cowell’s TV money-making machine must have been churning away every weekend from balmy late August through to polar mid-December.

The strangest thing to me was that I knew for a fact that my friends possessed one of those Sky Plus Box gizmos and could perfectly well have watched the show later, with the added bonus of being able to fast-forward through the ads. Apparently, though, it’s just not the same.

Indeed, for complete satisfaction I understand that you must not only see these things live, but share your views of them with the world every few minutes via Twitter and Facebook. A great service for the likes of me, because an occasional glance at these has enabled me to pretend to be in touch with what is going on not only on The X-Factor, but also The Apprentice, Strictly Come Dancing and I’m A Celebrity, Get Me Out of Here without wasting great chunks of my life actually watching them.

Not that I have anything against popular entertainment. I spent almost every evening last week glued to the unfolding drama that was the 50th anniversary of Coronation Street, even though ITV had done their utmost to drain it of any surprises by emailing me months beforehand with previews of their tram crash and details of which actors had decided to leave the series or been sacked by its new producer.

Only on Wednesday did I rely on my old-fashioned video recorder to keep me up to date as I slithered through the snow-covered streets of Jesmond to see the Royal Grammar School’s production of Oklahoma! A show I had always viewed with the utmost suspicion because it was my mother’s favourite, causing her to go slightly weak-kneed whenever Edmund Hockridge appeared on TV variety shows singing the one about the surrey with a fringe on top.

I had to dig my way into my house before I went out to the show
Hoping the performance would take my mind off the weight of snow on my conservatory roof
 In the early 1980s a production of Oklahoma! at the Palace Theatre tempted mum to visit London for the first time since she had accompanied her father there on a business trip some 60 years earlier. I took her to the show over my own dead body and absolutely loved it, and have been a keen fan of musicals ever since.

I have seen other professional stage productions of Oklahoma!, along with the classic film, but the energy and enthusiasm of the 16 to 18-year-olds of the RGS carried all before them. I sat with a big, silly grin on my face from the opening bars of the overture to the closing reprise of the title song, and drove home humming happily.

The brilliant cast ... and a probable breach of the Data Protection Act, now I come to think of it
A fortnight's snow layered like something out of a geology lesson
 Four days earlier I had spent rather a lot of money to see the glamorous diva Angela Gheorghiu perform the title role in the operatic rarity Adriana Lecouvreur to a packed house at Covent Garden. I enjoyed it, but Oklahoma! was infinitely greater fun – and yet there were empty seats in the RGS auditorium.

It is good to be reminded that there is a wealth of talent all around us, both amateur and professional, and that a live show on stage provides a true reality and immediacy that television can never match. So if your life is a desert now that The X Factor is over, why not try taking in a different sort of pantomime at your local theatre or village hall? You could even extend the slapstick beyond the stage by trying to use your iPhone to post irritatingly frequent updates on the performance for your followers on Twitter.

All together now: “Oh no, you couldn’t!”
Originally published in The Journal, Newcastle upon Tyne.