Showing posts with label Marcel Proust. Show all posts
Showing posts with label Marcel Proust. Show all posts

Wednesday, 8 January 2014

Coals to Newcastle

What phrase can replace “carrying coals to Newcastle” as the shorthand for total pointlessness, now that the Tyne is indeed a river importing coal?

How it was: shipping coal out
How it is: shipping coal in

I pondered the question at some length as I sat by my fireside over Christmas, particularly when excavations in my depleted coalhouse finally broke through more recent strata of Polish and Colombian dust. Unearthing, in all their glory, some substantial lumps of genuine Northumberland coal.

They had an effect on me pretty similar to that madeleine on Proust, transporting me back to the glorious blazes of Shilbottle cobbles that had me shrinking back from my parents’ hearth half a century ago.

There was a peculiarly dismal phase when we went “all electric”, until I faithfully promised that I would clean and lay the fire before school each morning. It was, I think, pretty much the only childhood promise I actually kept.

I suppose I should have kept back just one piece of this black gold: coated it in lacquer, perhaps, polished it up and put it on display. But instead I just revelled in the simple joy of a good old-fashioned fire.

Now I am hoping to harness the power of the press to see whether anyone can point me to a source of decent quality house coal, ideally from a British mine?

After all, it is to the imported stuff I have been buying for the last few years as a fine Islay malt whisky is to industrial drain cleaner, and I would be content to pay an appropriate premium price.

I have tried majoring on fashionably “renewable” logs but I am increasingly convinced that more warmth is created by lugging in several baskets of the things each day than my stove ever throws out.

Enough logs to warm my house barely perceptibly for about six months

Perhaps there is an opportunity here for a new generation of community micro-mines. After all, every pub and restaurant these days seems keen to emphasise the local sourcing of its food, practically telling you the name of the beast you are about to eat and the grid reference of the field where it grazed. So how about adding locally sourced coal fires to the list of attractions?

While for Guardian readers, the rival pub across the valley could offer state-of-the-art loft insulation, electric convector heaters powered by its very own wind turbine and free jumpers and mittens for all customers on those days when the wind disobligingly fails to blow.


Some will argue, no doubt, that we should not be burning coal at all if we are to “save the planet”. British coal fired power stations are closing left, right and centre at the behest of the EU.

Yet Germany, which was also in the EU last time I checked, is currently building no fewer than ten new ones, which seems odd to say the least.

Does anyone truly believe that converting coal-fired power stations to burn wood pellets that have to be shipped halfway round the planet will really make a useful contribution to mitigating the effects of climate change?

Any more than pricing our own heavy industries out of business so that the same processes can be carried out in China using coal-fired energy over there.

“Exporting aluminium smelting to the Yangtze” might be a reasonable summary of utter futility, though it can hardly be said to trip off the tongue.

So how about “teaching humility to politicians” or “giving climate change fanatics a sense of proportion and humour”? Or must we fall back on that sad old stand-by: “buying a new trophy cabinet for St James’ Park”?

I had intended to close by wishing all (both?) my readers a very Happy New Year and apologising for my absence for the last few weeks owing to a combination of depression, indolence and Christmas Day falling on a Wednesday. At least one of which will not recur in 2014.

But then I remembered that I should not mention my depression because, despite suffering from it for 40 years, every column on the subject provokes at least one irate reader’s letter complaining that I have absolutely no idea what I am talking about.

Maybe “a depressive writing about depression” is the new “coals to Newcastle” I have been looking for.

Originally published in The Journal, Newcastle upon Tyne.


Tuesday, 23 February 2010

Whistling to keep my spirits up

What will be the theme song of the 2010 General Election campaign? The tune that will bring it all back, like Proust’s madeleine, as “Things can only get better” encapsulates the crazed and, as it turned out, hopelessly misplaced optimism of 1997?

With my usual taste for the obvious, I am quite drawn to Noel Coward’s “There are bad times just around the corner”, but I fear that The Master’s cut glass tones would not be acceptable to any party in this demotic age. Like Sir Nicholas Winterton’s spirited defence of first class travel, even those of us who quietly agree with him must concede that it is a lost cause.

So how about “Smile, though your heart is aching”, a huge hit for Nat King Cole in the year I was born, 1954. Not only does Nat tick all the right ethnic boxes, but the tune was actually written by Charlie Chaplin as the theme music for his 1936 classic Modern Times, a silent film bravely released nine years after The Jazz Singer had ushered in the age of the talkie.

This is surely a movie for today not only because of its theme of the awfulness of modern industrial society, but also because Chaplin unfailingly reminds me of the present generation of politicians: always getting things hopelessly wrong, rarely if ever raising a laugh, yet ultimately proving maddeningly indestructible.

What could be more appropriate than “Smile” playing gently in the background as the candidates emote before hard-hitting interviewers like Piers Morgan or Fern Britton about the private tragedies they never like to talk about? At least the nation’s greengrocers must be getting a bonus from soaring sales of onions to help deliver their tears on cue.

I am sure I am not alone in being so sick of the present, and the three months of blindingly insincere electioneering still to come, that I find myself increasingly retreating to live in the past.

Which is no doubt why the other tune that has been running through my head since the sad death of Ian Carmichael is “What would I do without you, Jeeves?” The theme song of The World of Wooster, televised from 1965-67, this transports me back to an enchantingly batty black-and-white world of silly asses, dippy girls, fearsome aunts, silver cow creamers and the valet with a mighty, fish-fed brain.

From the moment I watched the first episode, and began devouring the books, I wanted to be Bertie Wooster. A drone who did nothing but sip cocktails, smoke gaspers and drive his two-seater to country house parties where something always went horribly wrong.

Sadly it proved not to be a career option without a formidable private income, so I decided that I wanted to be his creator P.G. Wodehouse instead, until I realised that I lacked not only his comic inspiration but also his formidable self-discipline as a writer.

What would Wodehouse have made of this bizarre world in which Calvinist Scots political obsessives try to pretend that they are warm, normal human beings while throwback upper-crust Tories flaunt their “change” credentials by assiduously offending their natural supporters?

Just thinking about it is enough to make anyone wish that they were back in the world of the menacing Roderick Spode and his Blackshorts, preparing to transform Britain in their swish uniform of black “footer bags”.

Yes, the outlook for the coming months is singularly depressing. But keep humming “Smile” to yourself, because it’s set to get an awful lot worse when whoever it is finally parks himself behind the Prime Ministerial desk in May or June, and feels able to come clean about the depths of the mess we are really in. Then we might all start thinking of another popular song from the last great depression of the 1930s, Leslie Sarony’s “Ain’t it grand to be blooming well dead.”


Originally published in The Journal, Newcastle upon Tyne.